February, I’m in love

 

I may be loved up and happy but not with February, I am looking forward to racing through the next month towards spring.

 

The first few months of the year are never my favourite mostly due to the colder weather and short days. Although the days are slowly getting longer and there are signs of spring with colourful flowers popping up to say hello, No doubt a cold snap will try it’s best to kill them off though.

 

I have been keeping busy with the more craft related projects recently. I desperately want to continue drawing and churning out imagery for my story but have developed quite the literal neck ache. Giving the studio a spring clean and setting up a proper area with an easel of sorts will help and support a more effective posture ready for completion of the rag doll fairytale story.

 

For now though I have gone off on quite a tangent with an idea I have had in my head since the start of my rag doll project. I have painstakingly painted, designed, hand and machine sewn a ‘real life’ version of one of the characters from the story. I describe it in this way because I did not realise how much work the outfit would take to create. Sewing tiny clothes is far harder than I thought!

 

 

I am pleased with the outcome though and think I did a good job of sourcing bits of fabric scraps from my storage to remain complimentary to the original illustration.

 

Wings can be made at a later date along with more characters and creatures in this style. I will need to draw more of the story before this idea can be explored further.

 

My sister’s birthday has been, celebrated and gone but I brought this book from a charity shop before Christmas with the intention of making it into a clutch.

 

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I don’t usually enjoy doing crafts on my own, I think I will but it may be because a lot of the exemplars I need to create are craft related so I prefer to draw in any spare time I get. I find ‘Crafting’ is usually always more interesting when done with someone else or in a workshop setting.

 

I discovered many online tutorials on how to make one so I took inspiration from a few and developed my own, somewhat messy, version.

 

A few paper cuts later I had paper mached and super glued my way to something I was thankful to have finished. I hope my sister will like it even though there is pretty much only room for a lipstick and phone, but what else do you actually need in your bag!? #firstworldproblems

 

 

My partner in creative ‘crime’ has been colouring my art nouveau updated images beautifully, I am so excited to see them all completed and perhaps will draw more.

 

 

We are thinking of created enough to exhibit. When, will be decided once we discover the right location to host the exhibition.

 

March is just around the corner which means lots of exciting projects happening. I am really looking forward to Derby’s international women’s day festival which I am always happy to be involved in, so watch this space.

 

 

 

 

New Year

I won the bronze award for my entry into eco creates exhibition Time and tide waits for no man with my entry ‘tide and tide waits for no one’, this kicked off a great start to what has already been a busy creative year for me.

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‘This is a metaphorical Illustrative textile piece. I chose to use a mix of embroidery, machine sewing and appliqué to ‘colour in’ with a small amount of fabric painting added for good measure. Pictured is a female dressed in her wellies, rain coat and mittens, she represents human kind, and struggles to hold onto a clock ‘umbrella’ with ocean waves crashing down upon the top. The umbrella is decorated to look like a clock which depicts time and that it is running out. A gold, slightly wonky, umbrella handle that she is clinging to signifies those of us who are trying to prevent the inevitable. Admittedly a future that won’t necessarily happen for hundreds of years yet. After all though shouldn’t we begin to realise that eventually mother nature (the tide) will do as she wishes. As the theme of the exhibition suggests ‘Time and tide’, really wont, wait for no man or indeed woman’.

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My aim for this year is to have a clear out of unsold art work I have stored for years now cluttering the corner of my studio. I can’t keep hoarding them any more so I am having a 60% reduction off the original price which will run until the end of February, I am hoping at least this way, my work can go to new home where they will be out on display and seen.

Follow this link https://en-gb.facebook.com/ElizabethBladesArtist/ to my facebook page to grab a bargain and own some hand printed art that is worth so much more than what you will be paying for it.

This January saw the start of my new venture, life drawing evening classes. The classes are in such a beautiful space, with chic and inspiring surroundings at the Smallprint Co http://www.smallprintcompany.co.uk/

I am keen to see if this will grow in terms of attendance numbers but for now at least I will wait and see what happens.

I found time over the festive period to work on my art nouveau collaboration project, here is a sneak peak at some of the drawings awaiting colour.

My ragdoll panel imagery is slow in progress but still coming along nicely. I will have to stop myself from posting too many of these so I don’t give the whole story away. It is still early days yet but I am rediscovering my love for just drawing in pencil, atmosphere and tone is so fun to create and perfect for setting the mood.

I have begun to experiment with a new medium for an exciting job opportunity I gained just before the end of last year. Mosaic will be a technique I am determined to master.

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I will be running a series of mosaic workshops in schools throughout the first few months of the year so I have created this exemplar because I teach better when I have visual aids. The mosaic’s the children will produce will be large mural size intended to adorn the school walls.

I have many more exciting projects planned over the coming months and I am looking forward to documenting it here in my blog.

Jazz Age inspiration & Art Nouveau updated

During November I celebrate my birthday and past years I have never really enjoyed myself, for many different reasons which are not of importance right now. This year I and my partner really needed a break and so a planned short trip to London had been arranged.

There are always many exhibitions I want to see in London and sadly miss, especially if the timing is not right and I do not have any free time for a journey to the capital.

This trip really would be a quick visit though so we did not have much time to see a whole lot. I decided on the fashion and textile museum’s1920’s Jazz Age fashion & photographs exhibit. This seemed an ideal theme for my recent interest and obsession with this era’s style.

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The museum is fairly easy to find from the London Bridge tube stop. Interestingly though we stumbled upon a building on our way which is painted in the exact same colours as the museum which confused us somewhat.

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The museum inside is quite small so dedicates its whole space to each display. It is Lovely and spacious to walk round and for exploring the delights presented. These 1920’s delights did not disappoint either. I took a few photo’s of dresses with fabrics and designs that appeal to my style the most. In fact the gold looking velvet garment looks very similar to an outfit I already own.

A gallery gift shop is always a must for me to, more often than not, purchase postcards which I add to my growing collection.

This time, because in a birthday treat buying mood a small pack of Fashionary mini sketchbooks found their way onto my person.

These sketchbooks are pretty helpful for the budding fashion designer and would make a great gift for a student I imagine. Each page has a template with a very handy textile dictionary and measurement end pages.

fashionista-book

I can highly recommend a stop in their cafe too, I follow a gluten free diet so had been happy to discover a few cake treats I could actually eat.

A stroll through China town, for dim sum and baked goods followed by the Lion king (a musical I had wanted to see for years) marked the perfect evening and rounded off the days activities nicely.

A sketchbook touring exhibition opportunity (www.sketchopen.co.uk) has fired my passion to get creating and produce a completed sketchbook/journal.

I am, sadly, not the type of artist to keep sketchbooks other than during my college student days. Most of my work is drawn on loose paper and filed into folders.

The mini fashionary sketchbook is an ideal size for me to realistically complete one to a standard I will, hopefully, be content with when submitting to meet the deadline (28th feb 2017)

So onto another daily drawing challenge I go. Follow my Instagram https://www.instagram.com/elizabethblades/ to keep updated on my #18daysoffashionillustration.

Inspired by inktober I have thought up 18 prompts/themes with suggested mediums which I will endeavour to keep too.

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I have begun a drawing project, on a topic which I have wanted to explore through my art for a while and have not found time due to a full year of planning and teaching workshops.

I am making time now using Christmas as a perfect excuse to create some beautiful gifts. I have always adored art nouveau and the strong style which artists such as Mucha adopted as his technique.

The general white washing, to put it bluntly now, in everything from Hollywood films to children’s illustrated books is something that is far from representative of today’s society. I find this trend boring and think changes are desperately needed, especially considering the political year the west has had.

Notably when looking through past art nouveau designs they are always depicting females who are European in appearance and largely fair haired.

If you have read any of my previous blog posts you will already know I have a very mixed heritage including white and brown nationalities. I don’t relate to a typical blond and or blue eyed female, so why should I only draw them. I am also wondering why do we tend to draw face’s that are not too different from our reflection? At least that is what I had been doing. Only really having reference from life model’s, magazine’s and other publications which are most of the time prominently European looking faces. I think this is very limiting and is another way for us to not further progress as a society.

I am also an artist who is fascinated with faces, a variety of beautiful shapes and structures. Beginning with a design for my partners mum, who is a Kenyan Goan, My composition incorporates a lions head, Lupita Nyong’o (a Kenyan actress) and vine leaves which are typically seen in art nouveau pieces.

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I still don’t have as much free time on this project as desired so I have joined up with my very talented, and if I am honest more skilled colourist, partner who lives and works as an artist too.

He and I will work together I will design and do the line work, he will paint and add the colours.

I have a few unfinished illustrations that will develop over time, pictured are snippets from my previously mentioned loose papered ‘sketchbooks’.

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I am feeling very inspired by imagery and patterns from this style of art So I am integrating art nouveau arrangements with the feminist symbol.

I am teaming up with International Women’s Day derby festival committee to lend my creative hand to an exhibition they are creating for the festival day in March 2017.

These symbols I have designed will, hopefully, be coloured in an array of methods and names will be written across the fists.

The IWD derby team have been researching and discovering women from derby’s Herstory archive to collate a time line and I am volunteering to help transform the findings into an exhibition.